Thursday, March 10, 2016

Secret for a secret [Liz ST]

twilight
Rules:

- I don't have much time tonight, but you are my priority!

- ask me for difficulties before you roll.  I may elide / narrate through some bits, I may ask for rolls for others.

- this scene is largely based on what your characters would do, so I'm going to ask you either for OOC direction or IC direction as to where they are starting and what their primary goals are (learn info? set up a distraction?  et cetera?)

- if you ever do not understand something I have written but think your character might, feel free to ask for clarification.  I may offer to let you roll to learn more.

- you can at any time ask to roll detection / knowledge rolls if you'd like based on the posts.  they won't always get tons of info!

twilight
The mercury still dips below freezing at night and each and every frame and edge of the day is ccool or chilly or cold or frigid depending on one's perspective and state of dress but 'round about three p.m. basking in the warm rays of the sun, surrounded by the golden waves of prairie grasses, the low scrub trees, that sense of: space, openness, the mad, endless dome-of-the-sky that inspired some pioneers and drove others mad mad mad.  Well, here is Sand Creek Park.  The odd sign about construction projects through summer 2016, but otherwise greenspace naturalized enough that the grass is left to go wild, naturalized.  Sand Creek proper is low and flat and undulent through the landscape, dark and cold where it runs through its rocky course, and hard to see in the flat sea of waving grasses except when one stumbles upon it, or where a pedestrian bridge arches high over.

Hard to believe a Technocratic lab is little more than a golf course away.

Kiara Woolfe
There's a fine tension here. An undercurrent of it, it rattles through them, rattles bone deep.

Being so close to them. The Verbena can almost taste it; their unyielding trudge toward so-called unification and strength. The idea that Alexander was with them, that they were working to bury their mechanics beneath his skin and twist and distort all that he was to suit their needs had, at first, nearly unwound Kiara Woolfe's carefully built armor.

It kept her safe, you see. That emotional buffer. Kept her from striding across that gently trickling creek into their turf. It was keeping a many great things at bay for the brunette right now - things she carried in those dark eyes of hers when they ticked over the parkland as they arrived; their movements seeming unnaturally loud and echoing.

There were insects singing in the wilder grasses growing by the creek. The Verbena paused only long enough to pass a flashlight to her companion and direct him a slight, brief check of her mouth upward at the corner. Still red, that mouth.

Tonight it feels brazen in a different way - a slash of bold declaration. The pendant around the female's neck glinted as she moved toward the water's edge; adjusting the strap of her backpack.

The insects quieted as they drew nearer, watching.

[Awareness!]

Dice: 6 d10 TN6 (1, 2, 2, 7, 7, 7) ( success x 3 )

Kiara Woolfe
[And, activating Mind Shield! Base Diff 4, -1 Taking her time.]

Dice: 3 d10 TN3 (1, 6, 9) ( success x 2 )

Nicholas Hyde
Nicholas called in sick to work today.  It is not the first time he has done this in order to pursue some Awakened agenda, nor will it be the last; and yet it seems to him as though the space between these occurrences grows nearer and nearer.  Last year he went on administrative leave from his old job for nearly three months, and when he came back he was so changed and Quiet-riddled the Sleepers in his life all assumed he had cancer.  It was the only explanation they had for: holy shit, man.

He is not quite so phased by being this close to a Technocratic stronghold.  Nicholas works in a hospital; the risk of running into a Union operative, and the assumption that they perhaps even share some beliefs and aspects of paradigm in common, is a part of his day-to-day life.

Today when he arrives he is also carrying a backpack.  Some of his more cumbersome items (the yew staff, in particular) are resting at home in his study; it's fortunate the park is nearby since he will have nearly everything he needs to assist.

Maybe he's a little nervous, today, evidenced generally by fidgeting, by sometimes plucking absently at the curls at the back of his neck.  Can she see it?  Nick doesn't work around other mages familiar with his preferred Sphere very often.

They arrive at the creek together.  His movements are not loud and echoing; he might as well be floating over the landscape here, as though he already stands with one foot in this world and one in the next.  They come to the river, and Nick draws in a deep breath that inflates his lungs down to the very bottom and expands his shoulders and chest and lungs.

[Mind shield for Nick too.  Base diff 4, -1 taking time. Extending if necessary.]

Dice: 2 d10 TN3 (1, 3) ( success x 1 )

Nicholas Hyde
[Extending.]

Dice: 2 d10 TN3 (3, 5) ( success x 2 )

Nicholas Hyde
[Aaaaaand awareness.]

Dice: 7 d10 TN6 (1, 5, 5, 5, 7, 8, 9) ( success x 3 )

twilight
If there is some monstrous construct, some mad, consumptive, mechanistic, devouring amalgam lost somewhere in the orange glow of Aurora's ambient light pollution (on snow-bound nights, doesn't it all feel a bit nuclear?  some assault, some war at the edge of the horizon: Kiara feels not a lick of it.  She's open to the sky and oh there's Orion finding a way to shine through the haze and here is the murmur of the creek and the rush of the brace of interstates surrounding them quite as low and susserant as the coursing of any waterway and hum, hum, hum.  Come summer the noisy chorus will be loud and lewd, the rush and need, the drive to consummate, god, something, anything, before the sun falls away from the earth again.  To be remade, reborn: perpetuated.

Now though.

Now.

Not many in the park afterdark.

They cut through the popular jogging trails heading for something perhaps deeper.  Somewhere where the seams between the worlds are thinning, thinning, thinner.

Night all around.  Prairie grass rustling in the constant wind.

No evidence anyone knows they are here.

(Gauntlet is generally 7-8 in the park.  Kiara's awareness roll is enough that they can probably hike to an area where it is 6-7 at least at night.  it would be higher in daylight.)

Kiara Woolfe
In some ways the solitude feels worse. The normalcy to it; being in the open; surrounded by the soft grasses and beneath the sky. It feels like belonging and home to the pagan. She feels as much a part of the earth beneath their feed and the lush, verdant growth all around them as she does within her skin.

The essence of the brunette was twofold, here. A thrum; the pulse of nature; her perpetual, never-ending cycle. Nicholas takes the time to breathe when they reach the water's edge and the Verbena stands silently for a moment; staring out into the distance; her shoulders straight, a trace of that lingering agitation drawn into the curve of her spine.

Her fingers fall away from the quartz around her neck. "It feels wrong, doesn't it." She offers simply, quietly. Her eyes shifting to rove Nicholas's face. To search it, before she looks back over the water. "It feels like there should be something more. This close." She takes a few cautious steps off to the side and then gestures up a small crest.

There's a gentle gust of wind that sends the smell of summer-turned earth their way; traces over their skin as if to beckon them on. "I think we'll have a better chance up there, through those trees."

Kiara Woolfe
(feed = feet, I can spell, honest.)

Nicholas Hyde
They've reached the water's edge and as Kiara looks over at his face Nicholas seems to be scanning the water itself, for a moment.  There is something in the Chakravanti's demeanor that could lend the impression that he is not particularly paying attention as they walk through the park: there are points at which his eyes seemed to be focused on nothing, or when they are looking at something that neither of them are talking about.  They go unfocused, hazy.

Nick needs other people; they are a tether.

As Kiara speaks it draws his eyes over to her, and to her comment he only nods.  "They might even have some sort of operation here that's being concealed.  It's close enough, and there isn't a lot of other green space on their campus."  Perhaps he might not otherwise have been so suspicious but: construction projects.

Kiara leads them on, and Nick follows, shifting the shoulder strap of his bag.

twilight
They have to hike to find it.  In the dark, unfamiliar ground.  The sea of grass helps.  Easy to see where others have tramped then down, particularly when winter keeps them dry and dormant.  What trees are here are low and scrub; lonely, scrabbling outposts, strange little copses grown up where the water table is high, where an old half-forgotten oxbow of the stream has become a boggy wetland.

Thirty minutes, forty minutes, and: here.

Kiara Woolfe
While they hike, Kiara's narrow beam of torchlight bounces across the grass. Casts a strange, feeble little yellow orb arcing out. She keeps it low, focusing on swinging it out before their feet so they can navigate around the wild grasses that have thrown themselves into re-growth everywhere their roots can reach. Straining even where they've become trodden and flattened by constant human traffic through the park.

She speaks, after a few minutes of silence. She has a melodic voice, the pagan. Somehow sweet for all the ways she clearly was anything but. There's a sense that perhaps she does it - talks, murmurs into the rustling trees and the gurgle of water - for the sake of distracting them from the task at hand as much as anything.

"There was another Node here, you know. Not here, but - out in the trees. In the wilderness. Annie - one of the Cabal at the Chantry - took me out there once. There's a clearing where the world just sort of - stops." Kiara's movements slow and she waits for Nicholas to catch up, glances at him.

The torchlight sliding along her arm, shoulder. Casting shadows into the lines of the Verbena's face. "On the other side, through time. It's just a void of nothing now. After they came and tried to take the Node. It was too wild for them, though. To powerful. It wouldn't yield." A flare of something like pride at that. A vicious sort of satisfaction that fades soon enough as she begins careful steps forward again.

"So they did what they're good at. They destroyed it. Killed more of us. Left the earth stained with blood." She stops after they've walked onwards a good way; dipping into a silence not fraught with but stained at the edges with a particular sort of grief. One not entirely hers but - felt. But understood.

"I think this is it." She turns a small circuit, the Verbena. Sets her pack down carefully. "I think we might be able to reach across here."

Nicholas Hyde
Nicholas keeps pace with her easily enough, and even though he is in motion there is this stillness to him as the two of them follow the waterway.  When she glances at him he is watching her, has met her eyes because he senses that she is about to tell him more and there aren't any words needed to ask her to continue.

He is all smoke and cinder here, illuminated on one side as he is from the bright beam of the flashlight.  He belongs here, moreso than he did when he went with her out past the rocks, to the deep red landscape that could've belonged to another world.  There is a flicker of something on his face as he listens: some connecting of dots perhaps, some flash of insight or understanding.  Regardless, he is not surprised by what he is hearing.

"Andrés told me that happened."  Maybe she has to think to remember Andrés, the Etherite at the meeting: loud, effusive, arguing with Grace.  "What I don't understand is the why of it.  The Union disagrees with us but they...that kind of violation..."

And he is troubled here, and he stops because they have reached a place where they could reach across.  He, too, swings his pack off of his shoulder.  "You've more experience here than me.  I can follow your lead."

Kiara Woolfe
"Verbanae. They hate us with a particular kind of frenzy." There's a tick of dark humor to the way she offers that, lowering herself to her haunches and undoing the straps on her pack. She sets the torch between her teeth for a moment to extract a small number of items. Thick-set candles and a bundle of herbs rolled together, tethered with twine (sage, by the scent). A packet of incense, a purple pouch, cinched together with a black tie (dried leaves within this).

The tools of a healer; those of an earth witch.

She's surpassed the need for them for what they're here for tonight; can manifest her connection to the other side without her herbs and invocations but - habit keeps them on hand. "We were the guardians here and they knew better than to try and turn any of them."

Kiara's eyes gleam in the near-darkness. "We don't make good converts. And when they do manage -" A beat, a sharp breath out. "Well, better to violate the land than let it tended by us, apparently." She rises up and begins to etch out a circle of sorts; finding points around them. "I can erect a sort of - barrier, before we attempt to connect. To keep whatever we find a safe distance from us.

It won't keep everything out but no spirit will be able to cross it without considerable regret."

Nicholas Hyde
Nick sets his bag on the ground and lowers himself to his haunches, whereupon he unzips the bag and begins to pull his own items from it.  These largely seem unrelated to his work, in all likelihood: a bottle of water, a first aid kit, the flashlight that he has set aside.  Good items to have on hand, at least.  There is also a string of bags that he draws from the pack, small pouches tied to one another.

And he listens.  There is another glance in Kiara's direction, attentive and sharp-eyed, as she offers her thoughts on why the Technocracy would have preferred to salt the earth rather than leave it in the hands of the Verbenae.  It is not beyond the pale, this thought that they would hate Kiara's Tradition to such an extent that they would destroy a node.  They are ancient enemies of one another, after all.  "I'm sorry about what happened," is what he offers, quietly.

"I can help you create the circle," he says, as he rises again to his feet.  The leather bags he has draped around his neck and shoulders now, mostly for ease of access.

Then, "I've mostly worked with animal spirits and ghosts, which I find easier to make offerings to and communicate with.  Less so with nature spirits, if those were what you thought to consult.  Do you have any specific requests of me?"

Kiara Woolfe
His acknowledgement of the loss receives the regard of her fine dark eyes on him for a beat.

There's a firming of her mouth as if the mention of it; the loss of life; women she'd never known but who she had shared a common belief with was a pain she did not quite know what to do with. And perhaps, given more recent events - she does not. She simply offers a tiny smile, a cant of her head and begins to sprinkle something around the same lines she'd just etched out into the earth.

"I thought perhaps we could summon a raven spirit. Or crow. They tend to know a lot about what goes on around them. This might be a good place to find them." Kiara's eyes tick around them. Her torch resting on the ground illuminates a beam of light across which tiny whirls of dust dance. "I could try and talk to Her, too. See if the wind will listen for us, what the water's seen." There's a beat as she fetches her bundle of sage. Begins to unwind it.

"If need be, I may be able to awaken something nearby. Something must have seen." Kiara's mouth constricts into a frown. "I just hate the idea of Alexander being - " She stops herself short, pushes herself to her feet with the sage and a pack of matches in hand. "I usually walk the boundaries of the circle to cast it." She offers.

Nicholas Hyde
Nicholas is not looking at her when she looks at him.  His attention is roving over this little grove by the river, the beginnings of her circle and how very different places like this look in the black of night.  The thin dark hallow of him fades into the scenery here, as though he'd been painted in by some Victorian artist in a particularly somber mood.

"We are well acquainted," he says, when she mentions crow and raven spirits.  "I usually keep things on hand to trade with them."  What things those are is anyone's guess; who knows what he has in the little leather bags.  (Though he is quite well aware that spirits frequently favor things that have no material value or worth or even shape: and crows like secrets.)

He nods, accepting her method of drawing the circle and taking this in stride.  It is still something he is beginning to learn to use; he is, perhaps, in a period when he is at his most flexible with certain Arts.  So he moves to stand opposite her, so that they can each walk half the length and meet.  Duality in all things.

"Who is the Her you mentioned?"

Kiara Woolfe
Kiara seems surprised, for a moment, to be asked about Her. She pauses in walking the boundaries of the circle; spirals of smoke follow where she steps, the sage now burning and the packet of matches safely stowed in the pocket of her jeans. "I suppose the easiest way to describe Her is to say - nature. Everything around us is part of her. The Goddess. I believe that she speaks through the elements.

I hear her, sometimes. In the wind. Or see her, at bonfires during celebrations." There's a vague familiarity to it, the way the brunette speaks of this sentient presence. It was, one supposed, not unlike the way others spoke of their God. Their deities.

This then, was the pagan's own. The old Gods and Goddesses. The revered of the earth itself. Old magick, that of blood and drums and sacrifice. The traces of it are there even now - in the way the Verbena treks around the circle; cleanses the space within it with gentle, precise movements, draws blood where she bites down hard on her lower lip. There's a prickle of stirring energy; a shifting as Kiara's resonance begins to seep into their presence. A surge of rejuvenating energy; one shared with the only remaining Node in the area.

And beneath it, a steady pulsing.

[Magic Circle time! So I think this is Coincidental? Prime 2, Spirit 2. Base Diff 5. -1 Using Instruments when she doesn't need to (Spirit), taking her time -1 + WP. Basically raising a 'shield' around them that will keep any nasty influences at bay while they converse with the spirits.]

Dice: 3 d10 TN3 (5, 6, 6) ( success x 4 ) [WP]

Nicholas Hyde
[I halp.  Base diff 5.  -1 for using an instrument, -1 for taking time.]

Dice: 2 d10 TN3 (3, 9) ( success x 2 )

Nicholas Hyde
Nicholas winds the other half of the circle, and he is also moving slowly; there is this occasional deep breath as he draws in the sweet scent of the smoke.  He keeps pace with her, maintaining the same distance so that they could look across the circle toward each other at any point.

Which is why she can see him glance at her as she speaks of the Goddess she follows.  There is some familiarity there, as he listens, no sense that any of what she is describing is new, at least in concept.  Nicholas has worked extensively with the Verbenae before; respects them even, on some deep level, even if it were not already apparent from the similarities in how they are Working together just now.

"I believe my Guide to also be a goddess," he says, "though I'd be less inclined to call Her nature."  Which is the way of things sometimes, when one is speaking of things that are ancient and harken back to the first memories: they are so distant that they become ineffable, even to those that they favor.  The quest for understanding, though, is always a worthwhile one.

He draws no blood.  He breathes in, breathes out, and shuts his eyes; a sort of walking meditation.  His resonance is this quiet bloom as his consciousness expands outward, this air of the sacred and the unknowable.

Kiara Woolfe
[Whoo, so that's a total of 6 Suxx for the Magic Circle. Go, team!]

twilight
It is as dark a night as one will find in Sand Creek Park.  The moon is absent and the clouds have cleared away.  The ambient glow is ever-present on the horizon: impossible to forget the labs, the facilities, the hospital a holes of golf away: but beneath the loose sky and among the dark grasslands below: they work.  They have come deep enough that they have to push through the waving grasses like ships through the sea, but so they do.  The circle is drawn: physically.  The landscape means that it lingers physically even as they feel it taking shape, their resonance twined, the magicks woven together like reeds.

Kiara Woolfe
It feels like a key, turning in a lock, once the circle is cast. The faint hum of energy surrounding them; rising up around them in a small diameter on all sides. Kiara presses her fingertips to the bundle of sage and snuffs out the smoking tip; moves quietly over to her pack and carefully replaces it inside.

There's a sobriety, now, to the witch's movements. As if the casting of the circle had signaled some change in her demeanor. The dark eyes that find Nicholas, twin glimmers in the twilight, are full now of a steady sort of determination. "I think we're ready now," she offers and rises to her feet, gently brushing dirt from her knees.

"Crow won't be able to cross the circle but hopefully he'll be willing to bargain information. You've dealt with him before, you can speak for us, once he's here if you like." Her mouth curls a touch, she holds her hand out to the other Awakened.

"Ready?"

Nicholas Hyde
Nicholas always has a sort of sobriety to his movements; there is no discernible difference in him once that quiet hum of energy seems to spring up around them.  If anything, perhaps there is some tension that has crept into him just now: he is unused to Working with an audience, or speaking to spirits with an audience, especially not when that happens to consist of someone who is more experienced than he is.

Still, he levels a look at the Verbena as she rises to her feet and he says, "I'm still learning to summon.  If you call him here, I can speak with him."

There is this glance to her hand when she offers it to him, this moment of quizzical hesitation: unsure of its purpose.  But he places his hand in hers, nods, and says, "Ready."

Kiara Woolfe
[Right! Let's do this. I think ... we're gonna roll with Spirit 3 to Summon and add in Prime 2 to assist with drawing Crow over. So, we're starting at Base Diff 6, -1 for using Instruments, -1 for taking her sweet time and -1 for using a Quint. GO BIG OR GO HOME. May extend! I think they'll need a few suxx to get Crow's attention. ]

Dice: 3 d10 TN3 (1, 6, 9) ( success x 2 )

Kiara Woolfe
[Extending! +1 Diff and adding a WP.]

Dice: 3 d10 TN4 (1, 7, 7) ( success x 3 ) [WP]

Kiara Woolfe
[Once more for flavor.]

Dice: 3 d10 TN5 (4, 8, 9) ( success x 3 ) [WP]

twilight
Not silence here, but the distance of human-crafted sounds give their circle a strange sense of isolation that should feel rare in an urban setting: anywhere, except - god, it is night, and it is not quite as hard as one imagines to become lost in a cityscape, after full dark has fallen, particularly this close to one of the doorways of the year.

What is that near?  That noise that feels like woosh and lift, shadow-against-shadow with this fey hint of gleam, that shadow-without-shadow-without-shadow because tonight there is no moon.

Breathe in: and there.  Stippling the bare limbs of the nearest scrub oak, this impression of - oh, a half-dozen dark-winged birds, roosting in the trees.  Gleam-of-a-querying eye from the other side of their well-cast circle.  And:

?????????

This push of query/question that embodies so many all in one.  Who/when/how/why?

And, perhaps also: what do you have for me?

Kiara Woolfe
It takes time, to summon a spirit. Not - endless time, they don't quite have that to spare but - time. There is a drawing in of focus required, you understand. A need for this small, lean woman with her wild hair and eyes to pull at the very fabrics that knit their worlds together and unravel them. To part the seam between and draw out one that resided on the other side.

There was good reason why the Spirit touched Awakened often seemed so displaced - at any given moment prone to staring off into space; to gleaning things that were not quite there. For the Umbra, such as it was, was a profound spectacle to behold - hard to ignore that much wonderment, once your eyes had seen it once.

Kiara grips Nicholas' hand at one point; her eyes fixed ahead; at some point in the inky darkness. There's a thickening; a syrupy gathering of energy and then - the swoop of wings. They are, quite suddenly, not alone and being observed by a gathering of crows nesting in the tree branches.

The Verbena's fingers loosen and she turns dark eyes to her companion. Her expression seeming to read: you're up, batter.

Nicholas Hyde
Nicholas, when he has spoken with spirits, has typically engaged them in this random way: whatever happened to be in the area he was.  It so happened that crow spirits and raven spirits and coyote spirits happened to find him, more often than not.  He does not know how long he walked in the dead lands when he was there, but he knows they became as friends, or as close to friends as something otherworldly can really ever get.

His gaze is intent as Kiara grips his hand and focuses her eyes (unfocuses them? who can really say) on the black that surrounds them.  The swoop of wings: his fingers loosen too at that moment and he looks around toward the winged birds that are roosting in that tree, from the other side of the circle.

"Hello," he says to them, and there's this way that he talks to them without pretense, as though they were people.  The two of them are battered by questions, which merit answers, in their turn.  And then, "Nicholas Hyde, and this is Kiara Woolfe.  I've met others like you before, and I know you're clever and quick, and I know how much you know.

"We called you hoping you'd be willing to trade.  Secret for secret?"

twilight
Secret for a secret?

Secret for a secret.

There is something elegant and elegaic about the dark shapes shrouded amongst the bare tree limbs.  This sense of communal awareness, of communication, of chorus that ripples from one suggestion to another, dancing through murder, each to each.

At last the foremost among them rears back and opens its body up to the full width of its wingspan, and rears back and takes such soaring flight only to swoop back downward, hopping and backwinging like it intended to land just outside the circle.

And so it does.  Somehow the waving grasses sink all around the creature.

Gleam, that eye.  Finally:

Assent.  Secret for a secret.  and

Tell me what you know.

Greedy thing.

Kiara Woolfe
Kiara watches on as Nicholas speaks to the spirit(s). Her stillness could either signify tension or grave, total consideration and a look spared the Verbena's way speaks far more of the latter. The edge of her jaw in the moonlight a finecut thing; she's all hollows and dark, shining eyes.

When Crow assents, when he dives and settle-hops to the ground near the edge of the circle, then Kiara stirs and glances at her companion. Their secrets were a precious commodity and perhaps, given their nature, not to be shared without considerable caution. "We can each offer something," she says quietly, with a tinge of some unidentifiable strain in her voice.

"The more we do, the more he may be inclined to offer back." There's a beat, then Kiara walks to the edge of the circle proper and lowers herself to a crouch; observing the spirit's gleaming, bright eye. "Hello, Crow." The brunette murmurs and then leans in. Her body perched there at the edge of the circle.

She says something, the pagan and then after a beat, pulls back and rises again.

Nicholas Hyde
Greedy thing: he had expected no less.  Finding something equitable, that's always the trick; bargaining ethically, without giving away secrets that aren't his to give away - that's the other.

"I will.  Do you know anything about the tower back that way?"  And here, a significant look over his shoulder toward the Technocratic compound.  He can only imagine how it looks to them: he has never been to such a place, not in the Umbra.  An infinite network of steel and glass, perhaps.  "The web.  We want to know everything you know about it."

He watches them with steady eyes, hair dark as one of their wings.  Perhaps they, too, think he is a greedy thing.  He watches as Kiara moves forward, whispers to the murder.  "I'll offer more once we know what you have to tell in kind."

twilight
We know it.

Ruffling, rustling, the murder responds.  The foremost of them bobs its head.  That whole and strange and oddly human movement, the too-intelligent gaze.

An echo: rising, whistling, whispering, brightening, query after query after answer after query:

Spiderhome.

Another frission, this dark, lyrical glance from Nicholas to Kiara, Kiara to Nicholas, back again.
--

Everything we know is much and little.  Ask what you will and we will answer.


Kiara Woolfe
The brunette's arms fold over her chest and for a beat she frowns into the distance, as the spirits mention the tower; call it the Spiderhome. The spirits of stagnation and the cities; spinning their webs across great divides of gleaming glass and steel.

She exchanges a look with Nicholas, then presses: "We seek someone inside the Spider's domain. He feels like Ice. Frozen things. We want to know what protections there are to reach him. Where are the dangers?"

Nicholas Hyde
Spiderhome, they say, and Nicholas, this is the first time he's heard it described as such: he had some sense of the way these places looked to spirits, from things he has heard others say.  He had perhaps been unaware until now of how apt his conceptualization of the place was.

The crows rustle on their branches, and Nicholas shifts his weight from one leg to the other, folding his arms as he thinks.  Perhaps he is still thinking of what to offer in return; it is not a decision made lightly.  "We also want to know the best way to reach him, the most direct and with the fewest dangers.  Are there any places near the web that they haven't touched - any safe places?"

twilight
There is a sense of cessation there.  Kiara says that they seek someone inside who feels like ice and there is another flutter from within the murder, ths humming, humming query that comes back to them, in a ricochet:

Many frozen in spiderhome.  Frozen-one-who-sought-and-changed is the friend-you-seek?

Another bristling from within the murder, which feels like a shivering sense of refusal or disagreement, some sense of disorder.   They do not know the best way to him; where he is being held, except in the heart and here there is something else: an impression from the murder that has flown-over spiderhome, that sees it from above the spinning web of the grid, that sensed this person and this change, some surging change like growth growth growth (flowing and boundless) from deep inside.  Later: Kiara and Nicholas will be able to transliterate this impression of space into at least a certain (still large) wing of a certain hospital south of where they stand.  Another sense of being: beneath, buried, perhaps - perhaps?  Belowground?

One of the murder tells them that noplace is safe but again: that bristling of disagreement, a rustling rising of a secret coming to the surface:  The Greenway.  Oak still lives.

Scoff.  Slumbers.

Lives.

The dangers?  Many: myriad.  Stasis, says one.  Death, says another.  Devouring.

Kiara Woolfe
Frozen one who sought and changed is the friend you seek?

Kiara's mouth softens a touch, tilts up at the edge into a slip of a smile; she inclines her face. Nods, briefly. "Yes, that's our friend. He was taken and we want to bring him home." There's this tiny fleeting tremor in Kiara's voice that registers on home. As if she were uncertain of saying it aloud, as if, deep down, she knew there may well not be a home for Alexander to return to.

How did you simply pick up and resume a life after what he's been through, anyway?

Oak still lives. Slumbers. The Greenway.

The Verbena's smile fades a little. "Oak can help?" Aside, to Nicholas. "They might be referring to Greenway Park. It's not that far from here." Then, her dark eyes back on Crow. "I can awaken Oak from his slumber."

Nicholas Hyde
The Greenway.

There is this sharp glance to Kiara then, something that Nicholas tries to shadow more or less as second nature but cannot quite.  It is a thing that sounds significant to him, even if he is fully unaware of the area.  Fortunately, Kiara expounds, lends color and form to the sketch he is beginning to lay out in his mind.

He heard Kiara's uncertainty too.  His jawline is firm: Nicholas had expected to find the man changed.  If you wish to be reborn, first you have to die.

"It sounds like we're headed to Greenway next, then."  And he takes a few steps closer to the edge of the circle, regards the murder in his somber way.  "Thank you, Crow.  You've been very helpful to us.  Is there something specific you would have of me?"

Kiara Woolfe
[Enigmas + Intel]

Dice: 5 d10 TN6 (2, 2, 3, 6, 9) ( success x 2 )

Nicholas Hyde
[Enigmas + Intelligence]

Dice: 5 d10 TN6 (3, 4, 5, 7, 9) ( success x 2 )

twilight
There was dissension amongst the murder because they were debating whether or not a certain oak (somewhere: perhaps close) was even alive.  It sounds a bit like an old wives' tale, as much as a secret.  But: if that oak is in a nearby park and if that park is threatened by the technocrats, slumbering is the only way that spirit has of surviving.  Waking an oak spirit (which is tied essentially to its rooted-tree) would probably be the death of the tree and its spirit.



If anyone needed a distraction the murder might be the best way to go: they are mobile!  and can fly over/away, but I am not sure that they need that right now since they aren't attacking (yet).

twilight
The murder seems to confer amongst itself and they returns to Nicholas.  It wants: one shiny secret.   And two tears.

Nicholas Hyde
The murder confers, and Nicholas steps closer to speak to them, and one bright eye regards another as he leans toward the edge of the circle, his hair preceding him and just brushing that invisible line.  He'll whisper a name: someone who will die perhaps tomorrow, perhaps three days from now, because this is the sort of thing he heralds, and this is the sort of thing he knows.

Whatever else he whispers Kiara cannot hear.

And when he straightens back up and steps back from the circle, he inclines his head to the flock, this easy however somber courtesy.  And as the flock leaves, one hand has found the bicep of the opposite arm, and he runs his fingers over the fabric of his sweater: this self-soothing gesture that perhaps betrays whatever nervousness he'd felt, either speaking with Crow or simply speaking with anything in front of Kiara.  We have mentioned that until now Nick frequently worked alone.

"Do you think there's anything we can do for the Oak?  I think if we Awaken it, they might kill it."

Kiara Woolfe
When Crow takes his leave, his murder a flapping of wings that linger and then vanish into the night; their raised circle likewise diminishes, it's purpose served. There's a sense of crackling disruption and then - stillness. Kiara stands for a moment, her fingers playing over her lower lip. She seems lost to her own thoughts; the breeze rolling in and casting dark strands of hair into a wild display over her shoulders.

"I'm not sure. Right now, it may be wisest to let him sleep. We can always try and assist him after we have Alexander back, if we need to." A pause and the Verbena's fingers sweep back the fringe from her brow, she moves to begin collecting her belongings, the sense of urgency has passed but they both know better than to linger too long so close to the Union's stronghold.

"They said Alexander was felt in the heart. Deep down. Maybe he's being held underground somewhere in there." There's the sound of a zipper being drawn and the Verbena shrugs her bag over a thin shoulder, flashlight in hand. "I'm meeting with the Doc to discuss what Grace found out, maybe she knows something we can tie it together with. I got the impression it's in one of the wings.

Maybe there's a lab under the ground. We could find schematics. Grace might be able to help. Whatever we do, however we move on this - crow might be our best bet if we need a distraction."

Nicholas Hyde
Nick, too, leans down to begin gathering up the things he brought with him and place them back in his pack.  It's fortunate enough that they weren't needed.  He still has his ear tilted toward Kiara, who is talking about the implications of what Crow told them.  There is this slow and slight nod of his head that accompanies his other movements as he places the kit and sundry back into his bag.

"Underground was my assumption too, from what we heard.  I think Grace could probably at the very least find a way to get a map of the compound, if not any specifics about where he's being held."  There is this soft exhale that accompanies the last word; perhaps Kiara can hear it from where she is. "There's no way to get around the danger for the team that goes in to get him."

His wife was to be among that team.  Perhaps the crease that has appeared on his brow has something to do with that.

"I agree that Crow might serve as a good distraction.  It won't come for free, but I think it would be able to cause enough chaos to draw personnel away from wherever the team needs to go."

Kiara Woolfe
There's no way to get around the danger for the team that goes in to get him.

She could say something about that. Offer some reassurance, some commentary on the talents of the combined effort. That if she's part of the extraction team she'll do her best to keep his wife safe. But she knows better than to offer promises. Kiara Woolfe knew, perhaps with an intimacy she wishes she didn't - how few they were ever likely to be able to keep in their lives.

Instead she's quiet for a moment, watching him. There's this faint glimmer to her eyes where they meet his. "No, there really isn't, is there." An edge of a smile and she gently brushes his shoulder with her own as she begins to pick a trail out of the park. "C'mon, let's get out of here before our friends over there start paying attention."

A beat, as they carefully navigate out, a gesture of sorts: "If it's any consolation, this isn't the worst situation we've faced. Remind me to tell you about the vampire war we nearly got dragged into." Their voices fade as they crest the hill and soon after - the insects begin to sing in the grass again.

Ward 2 Room 7

Pen
[it is an office closet. dun dun dun.]

Pen
Surprise!

Instead of texting at lunch, there is a real live Penelope in the threshold of his door (or, having found the office devoid of a dark-haired man with a hallowed crown invisible, waiting at Nicholas's desk), and as soon as a real live Nicholas presents himself or looks up and meets her eyes, she says, "Hello. I have brought you food; it a lentil salad, falafel, and hummus."

Nick
To get here, Pen crossed through numerous winding halls (perhaps it is impressive she got here at all, but then again, she does have certain Arts at her command to help with that) and through the palliative care unit, which even on its best days smells like...well, there is no other way to describe this smell other than to say it is the smell of the dying.  Decay and infection and the salt-tang of blood and the sharper reek of urine underlying it all.  Even when it's faint, it's there.  Nick no longer notices it.

She arrives at the office a moment before he does, and when he notices her there in his doorway there's this look that is pleased and surprised all at once.  "Hello," he says, and he is so pleased he leans in to kiss her before following her into his office.  It's an office: its distinguishing features are a framed photo of the two of them, and a few plants which all told look pretty healthy.

And he shuts the door, with a sigh of relief, shutting out the beeping of one of the EKGs and that ever present smell.  And he sits.  "That is exactly what I want to eat today."

Pen
Oh! A kiss. Pen is (more than) happy to oblige; ardent. And if it smells of dying, of the end of the body, well maybe that adds something; life is always a sharp contrast to the dead (and life is nothing more than dying, the race until the end, the force that through the green fuse drives the flower - Dylan Thomas, and that poem one of Pen's favourites). She places the plain white bag on his desk; sweeps the room with a judgmental glance - horrified is too strong a word; she is not horrified. She is observant and this is awful and she will be fixing it and now we move on.

Inside the bag are the foodstuffs promised, plus some walnut baklava, paper napkins, some Lebanese cheese-pastry with french influence.

Pen sits herself on the edge of Nick's desk; then decides to sit in a chair like a human being instead. She came with a specific purpose but the courtesies, and besides, she wonders: "Is today a fair day?"

Nick
Nick is actually not a difficult person to please, or perhaps Pen is just good at it: the pleasure he takes in pulling foodstuffs out of the bag and setting them on his desk and with Pen's presence is strong enough to be evident in the way he smiles the entire time he does it.  Pen has to pull over one of the chairs if she'd like to sit beside him; his office chair is the thing nearest the door, and the other chairs are on the opposite end of his desk, close to the window.

"Today is a productive day, but I think the last day I'll see one of my clients," he says, and if he has a sense for this it's because he has Sight.  It helps: he's always there at the right time, always knows the right things to say, at least for those that Sleep.  "I like having you here."

Pen
"I like having you," Pen says in reply. How is it his statement managed to elicit a rill of pleased surprise (tamped down [contained)? Pen did not choose to move one of the chairs; she is just as content to lean across his desk as sit beside him.

"Do you think they'll go well? Is everything come into place for them?"

Nick
Nicholas, he smiles again.  He does that a lot around a lot of people - more than one might expect - but especially around Pen.  He eats the lentils and enjoys them, though his longing is for the baklava.  Is there a second fork?  He arranges the containers so that she can reach them as well, should she desire.

"I think so.  He's young, it was more difficult for him.  More blame placed, toward things that were nonspecific.  But I think he accepts, now."

Pen
There is only one fork. Pen is perfectly satisfied being a savage and using her fingers when and if she decides to thieve some of the food she brought Nicholas specially to brighten up his day. "Because their words had forked no lightning they," Pen says, meditatively. And then, "I am enamoured of you. Even in this, the most boring room I have ever let my shadow fall upon."

And then, "Grace called with news; she did the," Pen wiggles her fingers to pantomime typing on a keyboard.

Nick
Nicholas encourages the food thieving; as with most things involving Pen, he prefers to share.  "I love you enough to take your suggestions regarding my office decor.  Anything is better than the motivational posters the other counselors have."

Hang in there!

Ah, Grace.  Nick flicks a glance up at Pen through slightly lowered brows, and chews and swallows a mouth full of falafel and hummus.  "I heard a little - she said Ginger was gone, which is apparently an information sharing network we didn't know about."

Pen
Pen deigns to take one single grain of lentil salad for now. Pinches it out; puts it on her tongue; swallows. Symbolic food-sharing, and then she rests her elbows on Nicholas's desk and laces her fingers together and rests her chin on the cradle they make.

"From what I gather it was some computer network internet thing - it was probably only a matter of time, even with a Virtua erm Mercurial Elite's safeguards."

After all, a 'computer internet thing' is just technology, says her tone. The easy assurance of every Hermetic ever, which is not the same as a lack of regret.

"The information she found is this," Pen looks at Nicholas to make certain he is listening; of course he is. Counts out on her fingers, which are almost bare of rings today, only three and one of those her wedding ring. "One. Alex is still alive; splendid. Two. They had to reconstruct his knee." This difficult-to-read look, a moment of silence. "Three. He has had daily counseling sessions. They continue apace, or did when Grace checked those records. Four. The room he is held in is Primium-lined and he can no more Work within it than you or I likely could." Likely she says because there is always a chance. "Five, there are two emergency drills scheduled for," the day that is most convenient for Liz to run the thing. "One during the day, one overnight. Six!" She leaves off counting on her fingers, resting on her elbows again, "Ward 2. Room 7."

Nick
Of course he is listening, though the falafel is a distraction.  He is at this very moment glad that he has falafel to cram into his mouth, because: they had to reconstruct Alex's knee, and he is getting daily counseling, and Ward 2 Room 7.  No, this will not be the same man that they took, once he has been found again.  He puts more falafel and hummus into his mouth.

"I think we need to plan for who is going to try to unWork the conditioning he's likely suffered from.  How is Grace holding up, with all of this?"

Pen
"She is worn as thin as a communion wafer after it has been floating in wine for a spell. She's like the last saltine cracker in the packet, the one that's just barely a cracker. Something traced her back to, get this, the location they'd volunteered for a second safe haven; it appears that it was Grace's home. Or they began to trace her back to it; she said she shook them off, but is currently homeless. We met at an apartment, very new, very empty; I think it was her backup." Pause; then this unbidden smile. "She and Andrés have been clashing I think. She was concerned he might not be the best man for the job."


Nick
"I see," he says.  "I met another Chakravanti the other day and we ran into Grace together.  She said she's staying with Kalen, but River offered her a place to go to, too, so I think she'll at least be safe," he says.  Evident, perhaps, from the furrowed brow here that this would have troubled him otherwise, and his soft heart might have led them to play host to a Grace for a while regardless of whether he preferred to do it or not.

"I had some concerns about how quickly Andrés volunteered, myself.  Did Grace have anyone else to suggest?"

Pen
"They strike me as so careless," Pen says, gravely; solemnly, even. "In the future ... When we are more established here," and she pauses: how does she want to finish that sentence? There's a moment's consideration: she reaches for the baklava and peels a tiny flake from the top, then pinches some of the stickier center away too, licks her fingers. Eating like a savage; her mother would have hit her for it. "We can talk about it later."

"Grace had wishes. She wished for someone named Ian to be around; she was also very confident in Kiara. Grace's concern about Andrés's suitability don't align with yours -- or mine," serious solemn Pen, here she rests her chin on the desk top instead of her hands, scooting the chair back so she can sit thus comfortably. "She was concerned he wouldn't be able to resist telling people that they were wrong long enough to make it through the gauntlet. I think she is wrong in that."

"And I think Andrés will do well."

Nick
When we are more established here, Pen says, and then pauses, and there is a quick flash of a smile in her direction.  "You can't just start a sentence that way and then leave off, Pen."  Though clearly she can: it is more that it is going to gnaw at him for the rest of the day.

He finishes the lentil salad, which is set aside; the falafel and hummus is also not long for this world.  "I agree that she is wrong in that.  Andrés - he's very capable, I think.  I can't think of anyone I've met here better suited to go in, personally."  A beat.  "Kiara...I also have a lot of confidence in, but I don't think understands the Union well enough to infiltrate it, at least based on the short conversation I had with her."

Pen
Pen gives Nicholas a certain kind of look. She does not mean to give him a certain kind of look at this juncture in time, but it's just as if too much water was poured in a glass; it trembled on top, and then the slightest movement (a ripple in the air), caused the water to tremble and to spill over; it could not be contained. Perhaps it is occulted, though; perhaps it's exact meaning cannot be teased out: just this vague trouble, this fond and clear-sighted concern. Pensive Pen, she props her chin up on her fist again.

"If it's a get-in, get-out situation - as I hope it will be; as it should be - well. Perhaps she won't have a problem. I wish I could do it myself."

"Let's see, what else? I think that's it for now, at least until the ritual with Sera and Kalen, then your reconnaissance with Kiara, go down. Do you like the lentil salad?"

Nick
Pen has looked pensive rather often lately; Nicholas has noted this.  Perhaps it's this realization that leads him to reach across the small gap between them and catch one of her hands in his, and their fingers tangle together.  It doesn't have to be for long and anyway there's baklava.  He just wanted the contact.

And Pen wishes she could go herself: Nick bypasses this comment.  "Kiara and I are going tomorrow night," he says.  "I liked everything.  I'm glad you came today."

Pen
Pen smiles at Nicholas when he takes her hand in his; it is an active entangling on her part; there is strength in her fingers, and keeping. What? You wanted the baklava? Guess who has another hand and is gonna snicker-snack out to pretend (poorly) to pull it away so only Pens get to eat baklava? That would be Pen, you guessed right!

"Maybe I'll come more often to visit you during your lunch hour," Pen says. Her gaze has gone bright. "At very least, I will send you flowers."

"Will you come home before you go to do the deed; or do you go direct?"

Nick
Nick watches as the baklava grows distant, and Pen, who has orchestrated this, becomes the recipient of such a look, or would have become if the prospect of her visiting more often on his lunch hour (or even sending flowers) didn't visibly cheer him so.  "I would like that," he says.

"I'll come home before we go," he says.  "We'd planned to go out at night.  Less chance of being seen that way, and we've planned to summon a crow or raven spirit, which I think will prefer the dark."

Pen
Pen slides the baklava close again, apparently repentant (except clearly not at all; she just tries to look repentant and fails).

"An unkindness of ravens or a murder of crows; better be the crow, we've enough unkindness already," and see, there's a twinkle in her eyes as she says this, a just-submerged glint: poetry!

And then Pen: sliiiiiiiiiides the chair around the corner of Nicholas's desk, scootch-scootches it so she is right next to him, and puts her hands on his knees. Her eyebrows loft: "How much longer do you have for your lunch?"

Because she is: deciding whether to stay around and talk (she always wants to stay, it's Nicholas), or leave this at that and hie herself away.

Nick
Pen speaks poetry, and Nick smiles at that glint there.  "I've spoken with Crow before, he'll be easier to bargain with at least," he says.  So it will be: he'll offer to trade secrets, because they have an understanding.  Pen's nickname for him is an apt one.

As she scoots around Nick swivels to face her, and there is a quick glance toward the clock on his wall (plain, of course - it came with the room.)  "Another half hour.  I'd like it if you stayed a little while longer."

And because they both would like it, that is probably exactly what she does: and she will be there long enough that maybe some of her resonance will linger here, a bright spot of resplendence in this most boring room of all time.

Wednesday, March 9, 2016

Spring is coming

River
At a greenhouse, you see. River still had an apartment. Sure, she liked spending time with Sam. Sure, she enjoyed being over there and propping her legs up on her hermit of a boyfriend. Sure, she liked a lot of things but at the end of the day River Vasquez had to come back to town more often than she would like so, if this is going to be the case, she is just going to have to get used to it. If she is going to have to be in Denver, she is going to have to get used to it.

Spring is coming.

You can tell by the way that she walks down the aisles and aisles at the green house that she is looking forward to it. Gearing up. Her whole being is abuzz and alight (so radiant, so shining) with the prospect of what is to come. She is Sunshine. Has no problem with being sunshine because it would be antithetical to her being to be anything other than delight and literal warmth.

So, there she is, trying to pick out a bougainvillea despite the protests of the service associate who seems a little wary of the fact that this woman is buying a near tropical plant in Denver. It's the only one this greenhouse has, truth be told. She's already got herbs in her basket. And seed packets of all sorts of varieties. River has never not had plants in her life, but she usually kept them in pots. Some part of her wonders if she should broach the subject of moving in at some point with Sam, but decides against it. Too early.

"... do you have juicing carrots?"

Nicholas Hyde
There are not so very many greenhouses in town, which makes the process of selecting one relatively easy.  Nicholas Hyde is here on a mission today; this involves a rather sizeable checklist of items that he is looking for that span the range from gravel to herb seedlings to a small sapling.  Whoever had the House of Hyde and Mars before Hyde and Mars had it had no interest in either landscaping or gardening, which has left Nick with a lot of weekend projects.  Of the two of them, Nick has been the one who has done most of the painting and rearranging and minor repairs, and he will probably do most of the work outside as well; he is a person who cares about having his home feel like a place he lives in.

Spring is coming.

Nick does not exude any kind of excitement regarding this, but looking at him, one would get the impression that Nick never exudes very much.  There is this hushed, quiet aura that hangs about him, compounded by the utter silence of his footfalls on first the concrete and later the packed earth of the greenhouse.  He carries something of the Sacred with him.

He is rolling a cart, which holds many of the aforementioned items.  Nick is a slender man, and next to the lush greenery he might even look a little wan: a head full of curly dark hair, light brown skin and eyes that belie a sort of world-weariness no matter how else he carries himself.  He seems lost in thought, looking first at his phone (the list is on his phone - it is indeed the modern era) and then over the rack of seedling packets in front of him.  So many seedlings, and such an unfamiliar climate - without the warm arid winds of Arizona where he grew up, nor the chill moisture of New England where he was living until recently.  Denver is a mystery.

He looks at River once, if only because - well, he had assumed she knew what she was doing until he saw her buying a bougainvillea, which will be doomed here.  That and juicing carrots.

Nick keeps one ear to the conversation, mainly out of idle interest, and both eyes on the seedlings.  He looks like he's staring off into space, like he's somewhere else, as though he isn't paying attention at all.  Sometimes first impressions lie.

River
Do you have juicing carrots?
"Check whole foods?" the salesperson says, biting her lower lip  and taking in the Hispanic woman who is talking to her.

River is neither tall nor short, but she is fit. She does stand with her feet planted firmly and does stand up straight and tall and aware of th space that she is taking up. River doesn't sink into the ground. River doesn't cower, but instead stands bright and with purpose- little ball of sunshine that she is. She still has an accent, the lilt and cadence of her voice indicating that English may not be her first language.

It is her second. The second in a string of many; River collects languagesin the same way old women collect decorative spoons from rest stops.

Nick looks at River once.

River looks at him twice- the first look is when she's adjusting the gods-awful pink purse of hers over her shoulder while pondering flower pots and then again when the little sales associate has wandered off to go find a tombstone for the ill-fated piece of California that River is going to put in her home. So, there she is, looking over bright pink folliage that is just barely trying to flower. It'll stop once it's done growing, they only flower on new growth anyway. She huffs, and gives herself a rest from her planned execution of a tropical plant and, instead, goes to the seedlings.

She has glitter in her ponytail. She's wearing yoga pants and shoes that come off easily. Her toenails are turquoise.

"I wish I had a lawn," she says to herself, almost mournful, as her eyes wander from seedlings to saplings.


Nicholas Hyde
Nicholas, let it be noted, does not lecture her or comment on the likely fate of her California flower.  Nicholas is the sort of man who is aware that women do not like when a strange man tries to posture over them in a greenhouse and presumes to know more than they do about a topic, and prefers to avoid that sort of casual patronization (even if he is right, today.)  As the sales associate wanders off, his eyes follow her.  They are light brown, nearly the same color as his skin, and are striking in their way.

He is wearing a pair of well worn and heavy canvas pants, quite appropriate for the work he looks like he will probably do upon leaving this greenhouse, and a thick knitted dark grey cardigan that looks like it belongs on someone who is over twice Nick Hyde's late twenty-early thirtysomething years.

River has commented on the arrangement of items on his cart, and Nick, who did not have a lawn either until around three months ago, looks at them too.  "I'm regretting the ambitiousness of my lawn plans today," he says, and his voice has the pleasant timbre of someone who talks for a living, and right now it is just touched with a sort of rue.

He straightens as he regards the woman in front of him, who he can sense that Something lingering about, even if he has not picked up on the specifics yet.  Random encounters are sometimes the way of things in any city.

River
She looks at his cart again, and her mind wanders to the WPA for a second and FDR and she isn't entirely certain as to why. River looks pretty comfortable. Her hair is dark, her eyes are dark, her skin is slightly tanned and they both seem like the type of people who like to be outside, even if she is going to slowly killing that poor plant without some kind of magickal intervention.

"They should be fine," she tells him, with a massive vote of confidence this one. She looks over the plants again, "it is more of a... week... end... ish... plan?"

She's trying to make it sound small, look at her! Look at her trying to make it sound small and like it is manageable and like it is something that he doesn't have to be daunted by. Such confidence.

"It looks fun!"
Said with complete sincerity.


Nicholas Hyde
Nicholas follows her gaze to his plants, to the bushes and tree he will be putting into the newly turned beds out in his backyard.  The seedlings, well, they will likely have to wait; there's still the risk of cold snaps and, he is aware, still the risk of snow this late in the year.  There are ways in which some of the rockier areas outside of Denver resemble his home state, but it is not.

"Some of it will probably go in this weekend," he says, and here he catches one of the leaves of his little tree between his fingertips.  This is almost an affectionate gesture, as though he'd chosen this moment to scratch the head of a beloved pet.

Nick really wants a dog, see.  He's still working on Pen.  For now, a tree will do.

Before his eyes return to River he casts a look around for the sales associate, habit even though they aren't talking about anything especially incriminating or bizarre at this point in time.  Just a pair of friendly strangers.  "My name is Nick, by the way."

Nicholas Hyde
[Aaaaaand Awareness.]

Dice: 7 d10 TN6 (1, 2, 2, 2, 3, 5, 8) ( success x 1 )

Grace
[Awareness! Woo!]

Dice: 5 d10 TN6 (2, 7, 8, 8, 9) ( success x 4 )

River
And it isn't just a demeanor thing, it is something literal. She is literally like the sun, a warmth and brightness that comes off of her like the is some Marian aparition, like she might crest some hilltop and suddenly there she would be amidst a field of flowers. She is radiant, yes, but it picks up in morethan just her smile or the play of her hair, it is insistent radiance. Like something that knows This Is How It Will Be because she said so. Because that is how the cycle says.

Dawning from winter and blooming into spring, she was not tinged with permafrost nor did she speak of a harvest. She was the beginning, the middle- some point in there because that is the thing with circles, it's hard to tell where they ever began.

"I'm River," she says, with a bright smile and an offered hand and not a drop of nail polish on her fingernails. "It's nice to meet you, Nick," though she has a hard time with a short i sound. More like a long E that is clipped too soon. "I think the last freeze date is in April? So we are not far off, they should be fine."

Grace
Grace is on a mission. (When is she not, the question begs.) She's looking for something small, something portable, perhaps something that could be easily packed up and moved if the necessity required it. Something without a lot of soil to get all over the car if it were to tip over. It's a really strange request.

Who goes to a greenhouse and asks for a car-plant? Grace does.

The poor, beleaguered Sleeper salesguy doesn't have to know it's because she's gunning for a Chloe IV -- a quantum computer that can survive speed bumps. He really wouldn't understand that bit.

"What about something with a root system that'll just, you know, hold on to all the dirt?" she asks, making grabby motions with her fingers, to illustrate.

The salesguy -- James, by his nametag, scratches his head.

Grace lifts her head, like she's sniffing at the air. People she knows are here. That's perfect. They don't know everything yet, and they need to.

"Hold that thought. Think on it. I'll be right back," she says, and abandons James to go rush up to River and Nick.

Nicholas Hyde
River extends her hand to him, and there is this moment in which -

Well.  There will always be people that we feel as though we've met before, won't there? Perhaps it's River's accent, just that way that she clips the i in his name the way some members of his extended family do, or maybe it's this radiance she carries that reminds him just briefly of Pen.  Regardless.  He reaches for her hand, and there is this split second hesitation before he shakes.  It is there and gone again.

Nicholas, who feels like he ought to belong in some fairy circle in the deep woods or highland barrow, somewhere of whispered secrets, old and with the hawks circling overhead and no one around, smiles as she exchanges pleasantries with him.  He is friendly in this warm and impersonal way that many people who work with people all day are friendly: not quite practiced, but certainly choosing what to project.

"Hopefully they'll be fine.  I haven't been in Denver very long, I'll be disappointed if the snow kills everything off."

Something out of the corner of his eye catches his attention then, and there is this quick flicker of surprise that bows his eyebrows together as he sees Grace.  "Hello."

River
"Eh, the weather is not too bad?" she said, shrugged a little, "we've avoided the kinds of blizzards that I thought we would have so  knock on-"

she reaches forward to knock on the little tree, only to think better of it because she seems like she might feel bad about the prospect of brutalizing the little thing. Like her bad luck and curse may rub off on it.

Which was about, of course, the time that she noticed Grace, Grace who was making ehr way over to them very, very quickly. Grace who seemed very intent on making sure that whatever she was doing could be done in their presence and-

"You're buying plants?" she asks with surprise. Didn't think Grace would buy a plant, given the state of her fridge.

Grace
Grace looks at River a little confused. Plants? The train of her mind, once on a track, is hard to derail. She'd forgotten about them, until all the green in the place reminds her again. "Oh! Yes. Plants. A plant. Maybe a backup." That certainly explains things.

"River. Nick. Hi," she says, gives them both a strange sort of smile.

"Maybe a hydroponic setup. They have to have them, with all the people who like growing weed..."

Nicholas Hyde
So, pleasant smalltalk with River, which is all well and good given that they've just met.  It's a game, in a way, this offer little bits of information without stating the obvious.  How much can they get around it.

It's a good game.  Nicholas is fond of it.

However, now that the Elite is here he shifts his stance so that he can accommodate Grace too, still keeping one hand lightly tethered on the cart carrying the verdant cluster of plants that he hopes will soon reside in his backyard, if the blizzards stay merciful.  Ah: and River knows Grace, which means River is safe.  Ish.  Perhaps.

"A hydroponic setup for what?  Do you garden?"  And Nick, to his credit, tries not to sound surprised because he really doesn't want to stereotype anyone, but he does.  He does sound surprised.

River
"It's a good thing you don't have issues with electricity if you are going with a hydroponic set up," she says, "the amount of electricity it takes to actually produce good-quality indoor grown marijuana is astounding."

She says it like it is a lament, like she doesn't know Samir and didn't live in Colorado and wouldn't have access to good weed anyway. She does, however, know enough to know how that kind of rig would work. She ponders for a second and then-

"Grace, should I be afraid of whatever it is you're growing?"

Grace
Again, she looks at River a bit confused. "It's going to be a plant, River," she says, but then remembers being snagged at the ankle by possessed root shamblers. "I'm not going to be infesting it with zombie blood or anything, geez."

"I don't garden at all, actually. I keep killing my desk plant. Now I need one that can go with me in the car."

Again, not really an explanation there, Grace.

"But that's beside the point. River? Don't call Ginger anymore. And also, don't go by the Office. Stuff's happened."

Nicholas Hyde
Stuff's happened, and something about calling Ginger who is maybe another person Nick doesn't know yet, and don't go by the Office.  The Chakravanti's expression as he looks between both River and Grace is a quizzical thing.

He says nothing.  In these situations it is not unusual for Nicholas to default to silence; one frequently learns so much more that way.

River
"... I was going to make a joke about past lives and ex-wives, but it fell flat in my mind and now I'm just..."

She looks at Grace, from Nick to Grace and she cocked her head tot he side. Crossed her arms across her chest and adopts a concerned expression.

"Are you okay?"

Grace
"That really depends on your definition of 'okay'," Grace says, trying to dodge the subject.

"I mean... maybe?" she shrugs. Leans in and whispers in River's ear.

River
The sound that River Vasquez makes is like she started to sneeze and then a water balloon hit her.

Nicholas Hyde
Oh, and the interest this rouses in Nick is so intense and so sudden that they can see it.  Grace leans forward and whispers in River's ear, and he gives her this very intent look, this very sharp thing.  "Is this the kind of conversation it's more appropriate to have elsewhere?"  There is a note of apology there in his voice as he adds, "I'm missing what you mean by 'Ginger' and 'the Office,' Grace."

Grace
She shakes her head at Nick. "Pen knows everything. Did she not tell you yet? Ask her. It is kind of the conversation we shouldn't be having in a..." she looks around. "Greenhouse."

River gets a worried look, because of that strangled noise she just made. "Look, it'll be okay. Other people are off doing more dangerous things."

Like that makes it better, Grace.

Nicholas Hyde
Nick's brows furrow, at that.  "All right. I'll ask Pen."

River
River looked at the two of them, hears somethign about Pen and River... can't quite place the name. She's been off doing whatever it is that exotic dancer Chakravanti do in their spare time when they aren't hanging out in a trailer in the middle of nowhere waiting for spring to come.

"Grace, you are not so good at this comforting assuring thing," she tells her, pats her on the shoulder, "maybe we could... walk and talk? Or... hmmn."

She frowns, and starts to rummage through her purse.

Grace
"Well, okay," she says to Nick, taking his furrowed-brow expression as a bit of upset. "The Office is where I used to live."

Used to.

She lowers her voice a bit. "And uh... yeah. You were there at the meeting, right? Our favorite people in the world may have found out where The Office is. Ginger's my private information-disseminating service, and she's been cracked open like a safe."

Nicholas Hyde
River begins to rummage through her purse; Nick looks toward his plants then, and there is a glance toward the waiting cash register that is its own sort of significant, if they are all planning to walk and talk.  Because he does want a better understanding of what is going on, that much is plain.

Fortunately, though, Grace offers this explanation.  "I was at the meeting," he confirms, though it would not have been unreasonable if anyone had missed him.  Nicholas spent much of it sitting and listening.  To what Grace says, his mouth forms a thin line and there is this short little nod.  "I see.  So...how much secure information do they have access to then?"

A beat.  "I need to buy my plants.  But we can talk more or I can talk to Pen when I get home, or you two can..."  And he waves at the two of them, gesturing in a manner that means he will not be offended should they go.

River
"Do you want to be my room mate?" she asks Grace, "I'm getting a plant, you have the guaranty that I will give you and your person the appropriate amount of personal space if he stays the night. I have two bedrooms and Ihsan moved."

Because, clearly, River can't keep friends. She tries, but she just... can't. They either move or die or something of the sort. She smiles like she means it, like she likes the idea of having Grace around and being able to keep her safe and various and sundry things.

Grace
Yeah, Nick. River is safe people. That should be fairly obvious by now. "That'd be great, actually. I'm bunking with Kalen right now, but it would be nice to have multiple crashing spots. Also, all his property is pretty... maybe unsafe right now."

"And I need to buy my plants. Travelling plants," Grace says, sighs. "I suck at horticulture. This is going to be an adventure..."

She turns to look at Nick. "Pretty much, like, every threat we've faced for a while, they know something about it. But, I mean, we come off as pretty kickass and awesome. They might even be fairly okay with us, because we're taking care of so much shit. Who knows."

Nicholas Hyde
Nick may have spoken to a few Technocratic operatives in his time working where he works; this is a possibility he always considers every time he speaks with a particularly brilliant doctor or other medical professional, the few times he has run into traces of resonance at conferences.  He may have interacted with them, and perhaps found some common ground.

This thought is not far from him now, and he processes this on some deeper level even as he is listening to them talk about roommates.  "Maybe.  I'm sure we have sympathizers there, or we would all be dead already."

Grace
"You say that, Nick. I don't know. Maybe it's more like they have more pressing issues to attend to. Like we do," she says, tilting her head with the thought.

She sighs. "But yeah, there's sympathizers. Or at least, people pretending hard to be sympathetic."

River
"Until we know for certain what is going on and what the repercussions are, I think we should stay safe? Not necessarily assume that we are all going to die horrible deaths and be re... written?" like English is failing her and she just doesn't know what to do with the Technocracy in this regard or how that even works.

"And not demonize them more than necessary. Nothing good comes from reducing a human organization into a state of others Runs risk of making us stagnate," she says it like that would be a shame, a travesty, like that would be the truest wrong that could be done.

"There's a lot of power in keeping things unknown. I'm rambling."

Nicholas Hyde
There is this glance that Nicholas gives River, sidelong, as she speaks, starting with re...written? and bridging as she continues into this thing shadowed beneath his eyelashes, something that is partially curiosity and partially approval.  "I agree.  It doesn't change anything for us to assume the worst from them, and it does nothing for us, either.  They're flesh and blood and bone."

He straightens then, and arches his back enough so that his spine flexes and a popping sound can be heard.  "I am sorry to hear about Ginger, though, Grace.  And that you might have to move."

River
"I had an ex-wife named Ginger in the... seventies? It's always been strange talking about Ginger," she says, like her failed past life relationship would make its loss easier.

Grace
"Oh, I'll fix it," she says to Nick. "It'll be fine."

It'll be fine.

She tilts her head again at River. "River, you weren't alive in the 70's."

This is what she gets for not really absorbing all the reassurances about reincarnation that all the Chakravanti in her life have tried to make clear.

Nicholas Hyde
Another look to River, then.  "Not as River, I'm guessing," he says, and then a glance flicked back in Grace's direction.  "Not the same as not having been alive."

River
She shakes her head, "not as River."

Gives Grace a brief look with raised eyebrows like See? Nick gets me.

Grace
Grace blinks. Not as River. "Oh. Oh. Right, okay. Sorry. Technomancer. Don't mind me."

Not like you guys, who are Traditionmates. And don't yet know that.

"I'm not cool like you guys with your wheels."

Grace
[BRB, guys, skip me!]

Nicholas Hyde
Nick had suspected, perhaps, from the moment that River had started to speak about rewriting their souls, and there is this appraising glance to her as Grace confirms.  "I haven't met another Wheel Tender here yet."

There's a look to Grace then, some glint of something that might be contemplated mischief, but see: he holds off.  He waits to hear from River first.

River
"My room mate left," she told Nick with a sad look, all sunshine that she was it was difficult to keep that sunshine when her life is such a revolving door. River doesn't hide it, sees no reason to wander away from her feelings or make light of them. Sometimes, River Vasquez is lonely, "if Ihsan hadn't moved you could have met two over the course of dinner."

Such truth, such truth, but Nick's words perk her up and there is that brightness again. Can't hide too much of her away for too long- say what one will of the sun, it is persistent. "I think it may just be us? And... Sasha? But she is in Morrison, I met her once?"

But that was it.

Nicholas Hyde
There is something in River just then that Nick recognizes.  He's new in town, and doesn't quite recognize the leaving, but there's this: of his former cabalmates, he is married to one, his wife will not speak to another, and one he killed with his own two hands.  (The last, poor Thane: left on his own.  Perhaps it's Thane that has the closest parallel to River just now.)

"Then," he says, "we'll have to talk more once we're not in a greenhouse.  I've missed practicing with people who get it."

Grace
Grace smiles. People making connections is always a great thing to witness. "Sucks that Ihsan left. But hey, now you have a Nick!"

"It's always nice having people who 'get it'. I have spent many an extended period without such peeps. You just want to tell somebody about all these nifty things, and they're like 'Yeah, I'm sure that's totally awesome...'"

River
"You would think that technomancers would do more magickal online dating."

Nicholas Hyde
"I always do feel like I don't see very many," Nick admits, with this look toward Grace, "but I'd always assumed that was just because most work virtually."

Grace
Grace gives River these over-the-top I-don't-believe-you eyes. Online dating. Ugh.

"Well. Some of us are more used to the meatspace than others," she says, to Nick. "To be honest, I don't really keep a lot of online contacts with my Tradition. Or, if I do, I'm completely unaware of it. People are just people, online."

Nicholas Hyde
This thoughtful tilt of his head, then.  "I suppose.  But I would still think you'd all have developed a way to find out who's in the know and who's not.  At least so you can vent to each other about people like us drawing circles and shaking sticks."

River
"We do shake a lot of sticks." she nodded for effect.

River does shrug though, and inhales, "I need to probably head home soon. I have a tropical plant the acclimate."

How she was going to keep that thing growing in her apartment was beyond all logic, though.

Grace
"River, wait up. Can you give me some better suggestions on what to get? I need something that won't die on me, won't grow too fast, and something... portable. Really portable. Do they make plant pots with handles?"

Again, Grace is talking about her oddly specific plans for plant-life. The things she cares about in plants are not the things normal people tend to.

She's also weirdly focused on it. The plant-mission will not be stopped, you see. She needs this vital piece of a focus, so that she won't lose a house again.

Nicholas Hyde
"I should get my plants home," Nick says, with another look toward his cart.  "It was nice to meet you," he says to River, and to Grace, "and good to see you again."

And, lifting a hand in a wave to the two of them, he starts toward the cash register, where the beleaguered staff member is still eyeing the three of them.

River
"Oh! Sure, let's go look?" she says, doesn't wander off yet and, instead, is content to hang out with Grace for a moment. She delves into the gigantic purse and pulls out a little notepad. She starts to write her name and number up with nice, pretty handwriting and nice, pretty numbers on a relatively boring piece of paper.

River Vasquez. California area code, closer to the Mexican border than anywhere else.

"A pothos vine is hearty, but it grows pretty quickly. Maybe succulents?" and, with that, she is happy to navigate the world of plants with Grace.

Tuesday, March 8, 2016

His waters in which you swim

Margot
Coincidences.  Deja Vu.  It's a small world.  Fate?

When you could access reality to reweave its fibers like thread, those things were looked at a little differently.  Maybe it was just happenstance that Nicholas Hyde worked at the same hospital as Ned Gaites, or perhaps this was planned ahead of time by Some Great Force.  Depends on who you asked

Whatever all of that may be, the fact was that Margot was at the hospital for one, but not necessarily for the other.  The hospital cafeteria was full of natural light and places to sit, for many people came through the establishment needing food along the way.  In this particular case, there was also a door that fed out onto a patio where a few more outdoor tables were available to sit at as well.

Margot sat out on this patio, a little Blood Witch soaked in afternoon sun-- especially warm and bright and direct in its final hours of shining.  She had a text book open and a notebook open as well.  Reading, taking notes, and ignoring the sandwich and soup on the tray in front of her.  Stress was weighing heavy in particular these days, and that could take its toll on an appetite.  And on appearance, too.  Her brow looked like it was stuck in a furrow of focus and worry, and circles were starting to shadow their way into place under her eyes.  Thankfully, that wasn't an abnormal sight to see at a hospital.  She blended in nicely here.

Nick Hyde
They lead a sort of double life, those of them who decide to continue to work a job: they are constantly transversing these worlds, moving back from wakefulness to sleep and back again.  Nicholas Hyde has been told of his chances of being able to continue to do this long term, by his friends and his sisters and perhaps even his wife, who has to be aware on some level (every level) of the danger inherent in working in the sort of place that is more typically a Conventional stronghold.

Still: Nick is not Pen's sort of brave, but this is a risk he takes knowingly and willingly.

He is with coworkers, when Margot catches his attention.  He is walking out with two other people, a young woman with straight long dark hair, unremarkable, and a man somewhat older than them both with large dark framed glasses and a neatly trimmed salt and pepper beard, well dressed and with a rainbow ribbon on his lanyard.  Nicholas walks between and slightly behind the two of them, floating along with his eyes occasionally wandering to other people or bits of scenery the way she has seen him do before.  Even people with double lives are still given to the same habits.

Perhaps she can catch bits of the conversation, which to most people is probably only marginally interesting.  " - had to refer to outpatient - " " - pretty extensive trauma history, you know - " " - pink slipped three clients today.  I'm ready to go home."  Et cetera.

At which point as they are leaving the clinic they pass by Margot's table.  And Nick's eyes stick to her like velcro, and Nick stops.  "Hello Margot," he says, and the other two look toward her too, and Nicholas smiles at the two of them and waves them on.  "I'll see you tomorrow."

Margot
There's a particular something about immersing yourself in learning that allowed everything around you to be blocked out.  She was here for Ned, having sent him a text asking to meet after work (or something along those lines).  She was doing homework in the meantime.  Eyes down on her papers and books, the ambient sounds of the hospital around her blocked out.

No earbuds, though, that was worth noting.  Her phone was quietly playing forgettable music-- background noise, really, indistinguishable when it came down to it.

Hearing her name startled her, and Margot jumped visible, cursed quietly under her breath and clapped her hands down onto her book and paper as though she was afraid they may leap off the table in reaction to the surprise as well.  Wide eyes hopped up to Nick's face, and immediately her ears (visible, hair tucked behind them) and cheeks went pink with embarassment.  Another curse, muttered under her breath.  Ugh kill me now.

All the same, she cleared her throat and put on a smile.  Reached over to her phone and tapped it a few times to cut the music into silence.

"Hi, uh... Doctor..."  She furrowed her brow a little, like the name didn't quite fit and tasted uncomfortable in her mouth to speak.  There was already a Doc, and Nick Hyde was not he.

Anyway.

"How are you?"

Nick Hyde
Margot: jumps.  Her hands clap over the pages of her book as soon as he says her name, and afterward there is the flush beneath her skin that - ah.  That someone should have seen that.

Nick sees it, and he notes it in whatever private dossier he keeps of the Awakened folks he knows.  He doesn't miss much, Nicholas Hyde.

But there is only a smile there for the apprentice, something just tinged with warmth - that is, until she calls him Doctor, at which point he laughs.  He's not overly surprised (the mistake has been made before) but there's still just this gentle amusement, and insert into it something a little wry and self-deprecating and you have: "You'll offend the psychologists if you call me that.  I'm just a lowly counselor.  Calling me Nick is fine."

Which rather neatly resolves her conundrum with whether to reference him as another Doc, doesn't it.  There is this space in conversation, the span of a couple of heartbeats, where his eyes sweep over her and what she's studying and he says, "How are you doing?  Are you here waiting for Ned?"

Margot
"That's good," she covered quickly, "because calling more than one person Doc was going to get a little out of hand."

He'd find that her text book was on the subject of ecology, an introductory course.  She was taking notes on a chapter about global warming's impact in particular (thanks, election season).  She tucked the notebook into the textbook's pages to mark her place and closed it.  Not hastening for privacy, but tidying her space up to make way for conversation instead.

Was she waiting for Ned?  She blinked, then nodded.  "Yeah, I was just..."  She trailed off.  Why was she explaining herself?  She gave the impression of stopping short on what she was going to say because perhaps it would reveal too much.  How many secrets was she supposed to keep?  Who were you supposed to trust entirely?  Eyes flicked around her.  How safe could it be to talk openly?

At last, realizing what a suspicious nitwit she must look like, she sighed and gestured to the seat across from her at the table.  An invitation for him to sit and join her, if he liked.  "We compare notes often.  Like we mentioned, trust is a hard thing...  Especially with current events, you know?"

Nick Hyde
It is worth noting that until she had gestured for him to take a seat, he had remained distant, not encroaching on her space and looking as though he might be willing to leave at any moment.  Margot might misinterpret this, perhaps with the assumption that she is keeping him or simply that he is not interested.  His eyes linger on the title of her book, and his eyebrows are a pair of delicate dark arches.

At least until she invites him to sit, at which point he visibly relaxes, no longer ready to take flight at the first sign that his continued presence is crossing some boundary.  Nick pulls the chair out with a quick flick of the wrist, this sort of casual elegance that might be Pen's influence, and he seats himself.

There is this quiet sort of understanding with which he absorbed even her suspicion. Then again, one could assume that this is an expression Nick's face frequently defaults to.  "Current events?  So Andrés has told you a few things about what's going on?"

Margot
If Margot looked like a freshman college student, it's because she was exactly that.  Or, well, she was masquerading as one.  Had pruned herself to be one up until the summer after her high school graduation when Everything Went To Shit.  Now she was something of a Witch, who was beginning to sense what empowerment was and smell it in the wind but just still hadn't quite reached out to grasp it just yet.

So, for now, she looked like a college student.  Today she dressed in a white fitted tee with "Ask me about my feminist agenda" printed across the front in black, a pair of olive colored corduroy pants, and black Toms shoes (or, more to the point, a knock-off pair purchased from a big box store-- the idea still stands, though).  Plastic sunglasses pushed up into her hair to double as a headband and assist in the effort to keep the heavy brown mass out of her face.  She even had a nose ring!  A little silver hoop in one nostril.  No tattoos, though.  There was still time.

When he asked about what Sepúlveda had disclosed so far, the girl's dark brows hunkered back down into a familiar scowl of disapproval and worry.  She was going to furrow herself into early wrinkles, just you wait.

"He told me about some half-thought-out plan to study and then infiltrate someplace that nobody should be."

Nick Hyde
Nicholas sits in the chair across from her and his hands are easily draped over the armrest of his chair and his legs positioned in this way that makes him almost look as though he'd found this forest throne and seated himself in it, as though he were some Sleeping King.  And maybe some intrinsic element of him influences that, in the hair dark as a crow's wing that kinks over his forehead and around his ears and in the way his eyes tend to wander with that impression of Not Quite Here.

He, like Pen, sometimes looks like a painting too, if something more understated and somber in nature.

Just now his attention is on Margot though, at least for the time being.  And there'd been this little lift of a corner of his mouth when he'd read her shirt, as though he would indeed ask her about her feminist agenda if the conversation weren't already tending in a certain direction.  And here's this: he'd actually be interested.

"That's the plan right now as I understand it," and maybe she can tell that his voice is too careful here, because Andrés is Margot's mentor and whatever opinions Nicholas has he keeps to himself.  "You don't sound as though you're placing a lot of confidence in that."

Margot
"Why would anybody waste time bothering the spirits around this place?!"

She didn't shout.  Margot wasn't a shouter.  But she did sound and look genuinely exasperated;  that particular nugget of information had been eating away at her in a particular manner.  Aggravated with the wrongness she believed there to be in that decision.

But what did she know?  She was an Apprentice.  The Doctor had to remind her when she voiced this frustration initially.  Things could be traced, she had to remember that.  Correspondence didn't solve all of the problems in the world-- she was just a little carried away by her fresh new understanding of it.

"Nobody should be marching up to the place in person.  There's got to be a way to at least... at least... flush the building out first or something?  But even then."  Margot fretted visibly.  She had a good two days to herself to mull over these worries already, so all kinds of disaster scenarios were compiled already.  "It's their turf.  And they're sending two people?"

Nick Hyde
There are a lot of questions that Margot voices, just now.  And if he is surprised by her vehemence, or takes personally her questions about why they would choose to bother the spirits in this place, there's nothing to suggest it as such in his expression here.

Instead, Nick lifts one of his hands and drops his chin into it, letting it fall into the soft space between thumb and forefinger while he watches the apprentice.  There's this: she's fretting, and she's so young and so new, and she wasn't at the meeting, and there is so much of all of this wrapped up in a sense of control.  In power, and a lack of it.

So instead he only says, "What would you do instead?"  A beat.  "I only ask because sometimes people with new perspectives can help us notice new things."

Margot
The question caught her by surprise, and caused Margot to take pause.  To stop and really look at the man sitting across from her.  He seemed like the courtyard was his space, and it was a peaceful one at that.  He sat comfortably enough in that chair whether he was leaned back with his legs just so, or if he was tilted forward instead to tuck his chin in his fingers as he was doing now.

Didn't he say he was a councelor?  Suspicion began to bud somewhere in the corner of her mind.  Careful, her inner voice cautioned.  These are his waters in which you swim.

Don't get her wrong.  She liked Nick.  Paranoia was just strong in their people.  In Ned.  In her.

"I... don't know.  I suggested leveraging distance, but Doc shot it down.  It just... I don't think that something with the word "techno" in the name would be using the spirits to their defense much.  Not when you can do things like make people pass out or get electrocuted."

Margot
[Manip 2 + Subterfuge 2: No problems here, don't you worry]

Dice: 4 d10 TN6 (4, 6, 7, 7) ( success x 3 )

Nick Hyde
[You seem a little uneasy.  Perception + Empathy, Astute specialization.]

Dice: 8 d10 TN6 (2, 3, 3, 5, 5, 7, 10, 10) ( success x 5 ) [Doubling Tens]

Margot
Oh there's suspicion there alright.  She tried to hide it, but there it was-- her poker face wasn't bad today but it wasn't great overall either.

Of course, it didn't hurt that Nick had an eye and ear for these sorts of things already-- keen-eyed for fear and insecurity in particular.  Fortunately for him, Margot came with plenty of that.

She was worried about the good Dr. Sepúlveda in particular-- scared that he wouldn't come back from wherever he was marching off to.  Scared of abandonment on account of that-- some underlying issue with the subject picked up on underneath the surface there as well (not again, i don't want to lose another one).  Worried about the repercussions of the situation as a whole.

Nick Hyde
Paranoia is strong in their people.  There are echoes of this conversation, however faint, in one that Nicholas had with someone else a long time ago.  The roles were reversed, then.

Nick likes secrets, and he is a particularly good secret keeper, and the human heart hides so many.  See here: Margot has sensed that he might be laying traps (and maybe he is), and Margot has the sort of fears that make a person startle when they hear a human voice they weren't expecting to hear at a moment when they weren't expecting to hear it, and Margot is holding onto Andrés like some stand in parental figure because it's hard to be a child in a large world all over again.

"They don't use spirits to their defense, much.  Some of the intent in speaking to spirits has to do with that.  Some of it has to do with the fact that there are a lot of spirits that hold a grudge - the Conventions have transformed the world they exist in too.  And we can't afford to turn away allies."

He lifts his chin then and lets his hand fall away, back to the armrest.  "Do you think I'm trying to trick you, Margot?"  And here, he smiles, this thing that is gently amused and perhaps a little melancholy in its way.  "I asked you a question because I want to know what you think."

Margot
"I don't--"

Margot looked startled all over again at the accusation.  Did she think he was trying to trick her?  Big eyes glanced about-- where was Ned anyways?  Oh, divine timing, please come to her rescue...

But the glance about brought no relief, and she was still left on the spot with the Chakravanti smiling gentle and knowing.  She looked caught, because of course she was-- her attempt at being casual had failed.  He raised a decent enough point about using the spirits as allies since the Technocrats wouldn't be doing so already.  She was too inexperienced to consider all the angles and options before getting fired up over her own conclusions made in speculation.  There's a reason she wasn't invited to the meeting.

"No, I don't.  I just don't know if this is..."  She made a face, and escaped eye contact by looking at the soup she had hardly touched (a film was growing around the spoon over the surface of the soup, a testament to how long it had been sitting thus far).  "I realized I'm unloading on you when I was waiting to talk to Ned instead, and you seem really nice and all but..."

You're not one of us, said the face he could read so easily.  She was worried about Doc and wanted to talk to Ned about it.  Didn't want to talk to Nick about it because maybe, just maybe this War would make a Traditions war too and maybe then alliances could shake?

Nick Hyde
Margot looks started, and she stammers, and Nick's amusement transforms just slightly, something there in the way his eyes glint and turn lively and their focus is solely on her, now.  There aren't razors to it, nothing malicious necessarily - though she might certainly read it that way.  It's closer to: something in him thinks it's a lot of fun to keep other people on their toes.  He enjoys her surprise.  He'd enjoy it more if it weren't so clearly unpleasant for her.

He does not hide this.

"But you don't know me," Nick finishes for her, "and it's entirely reasonable, and wise, to be cautious of people you don't know.  Traditionalists or not."

There are these few seconds where he considers her further, enough space to breathe in and breathe out again.  Then he says, "It's all right if you do want to talk to me, though, when you're ready.  With everything going on, I just want to make sure that you and Ned don't feel isolated, and that you aren't isolated.  I have a responsibility to you."

Margot
Relief washed over the little witch when Nick spoke up and finished the thought for her.  Sure, it was an inclusive community and all, and sure her mentor trusted him, but she'd met the man once before.  She didn't know him, and he both understood and forgave that.  Commended it, even.  It was wise.

The moment to breathe in and out was utilized for exactly that-- breathe in (one), breathe out (two).  She was steadier, sitting more comfortably in her chair when he spoke up again.  He earned himself a curious raise of the eyebrows and her pause-- she'd been reaching across the table to tip her phone to view the screen.  Check the time.  Hunt for texts.  She was going to be waiting regardless, but all the same.

The time was approved of, and if there was a message she didn't answer it immediately.  The phone was tucked into her lap instead of being left on the table now, and she shook her head with an air of disagreement with what he'd said.

"You don't owe us anything, nor are you responsible for us."  A beat, then:  "Why do you worry so much about isolation?  So what if we were to... I don't know, hole up somewhere and do our own studies instead?"

Nick Hyde
Margot looks at her phone, scans the time and looks for messages.  Nick, he'll be thirty in a few days, and people in his specific age group are in some ways a bridge between these damn kids shackled to their cell phones and people who lived their childhoods mainly within the era of analog.  Still: he recognizes her searching her phone for what it is, this bid to give herself a little space from the conversation, and she needs that right now.

So instead of watching her while she scans messages his eyes instead drift off elsewhere, and maybe he finds something of interest in one of the photos that line the walls of the cafeteria or maybe he notices an awkward misspelling in one of the advertisements there.  He notices something, is the point, and that something doesn't involve Margot for however long she needs.

"I said responsibility to, not responsible for," he says quietly, but with this tone that implies that he sees a distinction.  But this is inserted there, unobtrusive, and Margot has asked him a question (two questions) and here he has a choice.

"I think I mentioned at dinner that I was a Disparate for a long time myself - oh, Pen told you that," because sometimes he forgets.  "For two and a half years, before I was initiated into my Tradition."  Beat, a thought.  "Regardless, I got in over my head and I think without my former mentor stepping in when she did, I would have Fallen or moved so far outside Reality that I couldn't find my way back."

This is when he looks back at her.  "I don't know Alex, the man who was taken, but I wonder whether he had someone watching out for him.  What do you think would happen to you and Ned, if something - gods forbid - happened to Andrés?  What would you do, as things are right now?"

Margot
The distinction between responsibility to and responsible for was one that Margot was smart enough to understand the difference between.  As to whether she cared about the gray area that existed between the two enough to treat them as especially different, though, remained to be seen.  Rather than bicker the differences, she was focused more on the question he'd posed for her there at the end.

She sat up straight in her chair.  Closed her hands over the phone whose screen was locked and tucked between thighs away from view anyways.  Mouth set in a serious line, for this was something that she'd been considering herself.

He could see that she'd been thinking about this carefully already.  Because she wasn't shocked by the thought, but rather grimly accustomed to the potential at this point.  She'd mulled it over enough, goodness knows.  That, and her answer came a little faster than it probably would have otherwise.

"I would try to network for help.  I'd want to call you or your wife first."  She conceded this, understanding that it was the point he was trying to get to with expressing the responsibility he'd feel to help if that situation (god forbid) were to arise.  If Ned and Margot showed up at his office or doorstep with hard news and no direction, could he turn them away?

"But," she added, and glanced down at the table when she did, having previously held the Initiate's eye while talking.  "If Ned had another plan, I'd probably go along with it."

Nick Hyde
Nick can tell that she is mulling his question over; he can tell that this is a topic to which she has given some thought.  (Of course she has.  Fears have a way of bringing these things up, and in the bold, they make them think about the unthinkable.)

There are ways in which he and Margot aren't that different at all.  Nicholas knows this; he is privy to some information about Margot that she doesn't have about him.  And perhaps, if he has his way, won't ever.

"So you have each other," he says, and there is this note there which is not quite tacit approval; something warmer and more akin to understanding, perhaps.  "But if it did ever come to that, wouldn't you rather have other people that you know you could trust for some things?  Or, to put it in some other terms," and here, a flick of his eyes toward the book she'd shut and set aside earlier, "things raised in isolation wither and die.  You have to allow plants to cross-pollinate in order to have a healthy garden.  All that."

Margot
So you have each other.  Margot blushed, but nodded all the same.  She couldn't begin to guess the ways in which she and Nick were similar, aside from their shared gift in magick.  The Doctor told her once that everyone Awoke and they were usually situations not unlike hers and Neds-- terrifying, bloody, and left you reeling with no surface to grasp and no hand to hold.  No explanation provided.  Maybe that was where they were similar?  If he had his way, though, she'd never know.

The reference to pollination earned him a raised eyebrow.  "...Perhaps not the best metaphor," she offered, but smiled just a tiny bit (shaky, a truce, a request for a lighter air).  "But I see what you're saying.  And I appreciate it.  I'm sorry for the funny way of showing it there earlier, but I do."

The phone in her lap buzzed-- a message received.  This drew her attention for fewer seconds than could be counted on one hand, just enough time to read and then lock the screen once again.  Whatever the message was, it prompted her to stand.  She plucked the sweatshirt from the back of her chair and pulled it on (but left it unzipped).  "Looks like I'll have to catch Ned later, he's staying on for a while longer."

Textbook and food tray were gathered up, both of them.  She hadn't carried a bag with her so the book was tucked under one arm instead-- thankfully she'd only carried the one along with.  Certainly she wouldn't just depart on that note, though.

"You don't, ah, need a ride or something do you?"

Nick Hyde
Margot...blushes.  Nick doesn't miss that either.

But for now, he chooses to store it, sit on it, because: everything in its time, right?  And she smiles, and so does he, and he waves away her comment on his ability to craft metaphor.  "They can't all be winners," he says.

Margot is rising, and so does he; being able to sense when a conversation has come to its end is a useful talent.  He shakes his head when she asks whether he needs a ride, the corners of his eyes crinkling with amusement.  "Thanks for offering, but no," he says.  "I was on my way out to my car when I caught you.  It's back out that way - " a gesture toward one of the side doors - "in the employee parking lot."

Where, he imagines, she did not park herself, and so they part ways.  Before they do he catches her eyes again, as he did when he stopped earlier, and he says, "I meant what I said earlier.  If you need to talk to me, you can, and you know where to find me."

Another smile, this quick thing that is only a little knowing.  "Say hi to Ned for me when you see him later."